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Appel à contribution pour le prochain numéro de la revue Études écossaises


Etudes écossaises

Etudes écossaises

Appel à propositions
du 6 septembre 2017 au 15 novembre 2017
Revue Études écossaises

Appel à contribution pour la prochain numéro de la revue Études écossaises.

In the popular imagination, clichés about Scotland abound. One particularly persistent notion is the association of Scotland, the land of ghosts and storm–battered castles and landscapes, with a perceived Gothic character.
But to judge from a not-so-recent preoccupation with the tourism industry and the widespread dissemination of a national imagery and paraphernalia sometimes cut off from their historical or geographical contexts, one could think that if its “perceived aesthetics” are Gothic, Scotland has had, for some time already, a far more evident susceptibility to and affinity with kitsch.
It is all too easy to be dismissive of a purported artificiality of “Scottish Kitsch” when a considerable part of Scotland’s economic prospects, and a good deal of its international image, depend upon it. A reassessment might prove a productive challenge for the specialist.
Of course, inseparable from the imposition of aesthetic categories like the Beautiful, the Sublime, the Picturesque, or kitsch in a modern sense, is the opposition between good taste and bad taste and the attendant, often self-imposed, responsibility of the proponents of such categories to educate the public through the senses. There is a political side to aesthetics, as the sociology of taste demonstrates, and normative tastemakers of all kinds are always exponents of a view of the public good; aesthetic pronouncements are acts of power. Who determines what is kitsch, for what purposes and to what effects? What are the social, political and economic implications of controversies over the nature of Scottish Kitsch, at home or abroad?
“Scottish Kitsch” conditions the perception of Scotland, within and without. Several positions are possible: resisting Scottish kitsch is a political act, as is the tolerance for it, or even the fact of embracing it to reconfigure Scottishness, in a postmodern gesture. As the quotation above exemplifies, Scotland’s negotiation of its self-image through its abrasive relationship to kitsch problematizes both its relation to itself and its integration in the alliance of nations (“if not that, what?”), and has done so for quite some time. In opposition to nationalism’s assured rhetoric of authenticity, this uneasiness and sense of alienation will prove helpful in understanding the problem that is “Scottish Kitsch”, the focus of the upcoming issue of
Scottish Studies / Études écossaises, a multidisciplinary journal.
Of course, the issue’s theme lends itself particularly well to developments about the many forms of the tourism industry and “the brand, Scotland”. Cultural policy from official or unofficial agents (the Homecoming project, for example) is also a stimulating topic.
However, more properly aesthetic considerations will be accepted: proposals about Scottish painting, whether modern/contemporary (Vettriano?) or more dated, as well as elements about literary aesthetics (Kailyard/counter-Kailyard…).
Other forms of “gaudiness” might also prove to be fruitful areas of study, especially sports: the Highland Games, Scotland’s place in the Commonwealth games (see for example Ian Jack’s article “The Commonwealth Games Opening Ceremony: Just the Right Side of Kitsch” from Friday 25 July 2014)… and their self-conscious displays of a certain Scottishness.

A brief proposal (200-300 words) should be sent by 15 November 2017.

Papers (45,000 signs max., including spaces) may be submitted in French or English, but authors must first obtain the appropriate style-guide. The deadline for finished papers is 10 January 2017.

Contact :

The journal
Études écossaises/Scottish Studies contributes to the ongoing research project of the Institut des Langues et Cultures d'Europe, des Amériques, d'Afrique, d'Asie et d'Australie (ILCEA4 — Grenoble Alpes University).

EA 7356, ILCEA 4, Univ. Grenoble Alpes, ILCEA4, 38000 Grenoble, France

Mis à jour le 18 octobre 2017

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